Still More Blurt-mail
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Correspondence from Readers, Page Four
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Sent: Friday, September 08, 2000 6:53 AM Subject: hats off from Night Rally magazine
dear jim:
you really buried that e mail address on that site. but i found it, and that saved me a phone call to chicago (i like chicago. don't you wish they sold nelson algren action figures on the streets?)
THANK YOU for writing "let it blurt". my father bought me "psychotic reactions and carburetor dung" when i was a teen-- lester was a huge influence on my life and my writing career; i did rock writing as a young woman, and have been publishing fiction for eleven years. now, i am running my own literary magazine, NIGHT RALLY, and our first issue has been well received. we are published out of philadelphia, and while we often try to feature philly artists, we are not "local"; we sponsored a fiction component of the longstanding piccolo spoleto festival in charleston, south carolina this past spring, and we have fiction and prose by the late andy kaufman in our next issue.
to find out more about the magazine in general, go to: http://www.nightrally.org
amber dorko stopper editor in chief night rally magazine
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From: Daniel Hannon To: jimdero@earthlink.net Sent: Saturday, September 02, 2000 5:21 AM Subject: Lester Bangs
Dear Jim, Just a thank you to say how much I really enjoyed "Let it Blurt". I have a two page article written about a meeting with Lester in 1981 by Jon Langford of the Mekons. It was written to coincide with the re-release of psychotic reactions and carburettor dung in England and was published in Q magazine around winter 1996. I can't be more precise because I don't have the rest of the magazine ( I ripped the article off from the staff copy of the magazine at HMV where I was working at the time). If you are interested in reading it let me know and I will get it scanned and sent to you. Yours sincerely Daniel Hannon.
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From: Bill Tuomala To: jimdero@earthlink.net Sent: Wednesday, August 30, 2000 1:50 AM Subject: thanks
Jim
Lester Bangs has been my favorite writer ever since I got Psychotic Reactions for Christmas back in '87. I remember you saying on your last Sound Opinions show here in the Twin Cities a few years back that you were working on a Lester Bangs bio, and I awaited its publication from that day on.
So I had to write you to say that Let It Blurt is some great work. I plan on reading it again this fall as I blew through it so fast last spring. I already know I'll enjoy it the second time around.
keep up the good work
Bill Tuomala Minneapolis
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From: "ray hadlock" To: jimdero@earthlink.net Sent: August 27, 2000 7:23:37 PM GMT Subject: 'Extra CREEM'?
Hey Jim--
I'm Clyde Raymond Hadlock & I freelanced stuff to CREEM; I think the 1st stuff appeared in about 1/74-- I had maybe 7 or 8 reviews & a few Rock-a-ramas & a feature between then & I dunno, maybe '76 or '77. Never met Lester face-to-face, but as you can imagine we talked quite a bit on the phone-- his letters are most likely lost. You're getting the short version of all this, since I can still hear Lester screaming "three hundred words, ya fuckin' beatnik!" I would love to see another Lester collection. Can you imagine my elation and then horror when I saw CD in the bookstore only to discover it had been assembled by Greil Marcus? He monkey-fucked it exactly as badly as I knew he would-- in other words about 40% of the stuff included & excluded made perfect sense to him & no one else. I could hose-whip him for leaving out the Bay City Rollers thing from PRM. And so on... Well, there I go-- anyway, I can't imagine you didn't uncover the 'Extra Creem' inserts in the center of issues of CREEM that circulated in Michigan-- surely Jaan or somebody else had some? They might have had a different name even, but they were these stapled-in yellow paper inserts with 'local' coverage-- maybe Lester didn't do anything noteworthy? It seems like I remember a review of a local bar he did: 'The jukebox was broken and it played 'Mississippi Queen' or something equally appropriate all night and nobody noticed...' Well, certainly he woulda written for that section too, & certainly it woulda been noteworthy... Hope somebody has some, if they've been overlooked-- I probably will remember other stuff too, as soon as I send this-- sorry I 'missed' you if you were trying to track me down (& if you were, that's pretty scary). I might have been able to provide a useable story or two-- he still owes me copies of _Raw Power_ for that fucking 8-track of _Metal Machine Music_ I stole from the record store for him-- imagine being polygraphed in a Holiday Inn by a retired police sergeant and telling him 'of course we steal from them-- I'm getting 2.75 an hour-- I stole _Metal Machine Music_ for Lester Bangs, an important American writer, who needed it for research purposes, so that he could monitor the effects it has on pedestrians...' Anyway, as infuriating as he could be, he did more good than harm in my life and I miss him every day-- how many times a week do YOU see/hear something & think "I wish Lester were here to throw down on this...' ? Yep. Well, fuck the 300 words; any bio is a lot like the 3-blind-guys-describing-the-elephant story, and all-in-all I was pretty happy with your book-- I would trust you to assemble another collection of Lester's stuff and get it right and I hope you get the chance. Write if you see fit...
-ray
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Date: 8/27/00 11:42:06 AM Central Daylight Time From: AliBnSkemr To: JimDeRo Sent on: AOL 4.0 for Windows sub 104
Hi Jim--reading your book on Lester and hats off to you--its excellent. A cranky old prog fan like me finds plenty of offense in many of his screeds. But my love of a good slam almost makes me forgive. Which leads to a favor I must ask of you: I have been searching the web for the text of Blood Feast of Reddy Kilowatt! for what seems like forever. Would you be able to help me find a copy (why its not in carbeurator dung i wonder)?
Best to you and yours--and thanks for reveiwing the Halford CD--just bought it and its great!
John
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From: Steve Crawford To: <jimdero@earthlink.net Date: 8/19/00 9:33:06 PM Subject: Bangs
Jim,
I just read the Lester Bangs book. Great book and undoubtedly it was a labor of love. Hope I'm not annoying you by dropping you a line.
Shameless request: I'm a big Cheap Trick fan and I didn't know Lester ever wrote about them. Do you have the copy of the review he did on the first Cheap Trick album (Stereo Review, Sep 77)? I'd love to see that.
I started reading Creem about 1980 and it became a bible for me. I used to memorize every issue. (I see we might have some similar interests - I've had letters published in Creem and the Wrestling Observer Newsletter!!). John Mendelssohn and I corresponded for many years and he even thanked me in his "I/Caramba" book. (And heck, Richard Riegal even sent me a tape of Lester with Birdland - wotta guy!).
By the way, what is Rick Johnson doing these days? The creativity of his writing just amazed me. (My parents got really worried when I'd start laughing about things like "Geno-type Cointoss" in reference to Freddie Mercury).
Well, since I'm starting to ramble, I'd better sign off again. Thanks again for providing an insight into Lester's life and the rock critic world.
Steve Crawford
P.S. Gee, and do you really think Robert Christgau attacked you so much over the "dinner versus pie" issue or for looking like a pathetic homophobe when it came to Vince Aletti?!?!
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From: "David Rensin" To: <jimdero@earthlink.net Sent: Sunday, August 20, 2000 1:18 PM Subject: Lester
Jim First, thanks for doing the book. I read it on vacation and, having been a minor L.A. rock writer/critic in the early 70s (I was at the Memphis gathering, among others), it was like a terrific journey through the past chock full of people I knew and have never forgotten. The main thing, of course, is that the book is really really wonderful. Among everything else, you got Lester as a human being; you got his heart -- which couldn't have been easy. A lesser writer would have just gone for the gonzo. You did more. As my long-time buddy (since 1973) Cameron said, "You caught the keys." In my opinion you put them in a really fine car.
Btw: I spent a drunken afternoon with Lester in his hotel room (or mine) in Kingston, Jamaica, on that Bob Marley junket. We drank local rum. Yeah, 'mon. I will never forget sunset in Marley's backyard, him sitting on the BMW, his pals darting in and out of the surrounding journalists, asking us Bible questions.
Also, glad to see you're with Chris Calhoun. He's a pal and a great guy. Just saw him in LA a couple weeks ago.
One question: reading the thank you's -- who is Carrie Anne Svingen? How old is she? I ask because she may be someone I knew, only with a different last name...and I've been looking for her.
congrats again David Rensin
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'Subject: Lester Leaps In Date: Mon, 31 Jul 2000 09:46:08 GMT From: mark eggins
Jim,
just a short note to say I really enjoyed your Lester bio (picked it up in Tower Records in Tokyo). He was and is a big hero of mine and a big inspiration to my humble critical efforts over the years so it was good to see he got a very fitting bio.
Any chance of you perhaps editing another volume of Lester`s work? Criminal that there is only one available thus far!
Regards
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Subject: Let it Blurt Date: 5 Aug 00 13:31:03 MST From: Mike Long
Jim:
Great book (Read review in Denver's Westword, ordered online). Lester's kept me from a life of listening to the Marshall Tucker and Pink Floyd. I discovered Creem too late (about '74) to read most of Lester's work, but enjoyed reading Psychotic Reactions... and the Blondie book. Hopefully your book will encourafe someone to release more of Lester's writings. Again, thanks for your great book. Where can I read your reviews?
- Good luck, Mike
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Subject: patti smith Date: Wed, 2 Aug 2000 15:24:45 -0700 From: Paul Gilvary
I just finished your Let it Blurp book. I loved it!
I did find one mistake though. You attribute Patti's quote This is the era where everybody creates to her Horses album. That was from her Wave album when she was redoing the Byrds' So You Want To Be A RocknRoll Star.
I'm a Patti fanatic. Like I said though, your book was great.
Paul Gilvary
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Subj: Let it Blurt Date: 7/22/00 9:18:06 PM Central Daylight Time From: (Ron Dulin) To: jimdero@aol.com
Mr. DeRogatis-
I just finished reading Let it Blurt, and it left with me with a strange sort of melancholy. Fine work, though I'm sure I'm not the first to say it.
My question: With so much of Bangs' work left uncollected, why has there been no follow-up to Psychotic Reactions&c? Reading excerpts from his works in your bio only made me want to read them in their entirety.
Best,
Ron Dulin
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Subj: <BLet it Blurt!</B Date: 7/23/00 11:15:31 AM Central Daylight Time From: Artknarf To: JimDeRo Sent on: AOL 5.0 for Windows sub 105
Jim, Wow what can I say but, a perfect book! It is really enjoyable to read such a well researched and organized book. There was just the right amount about all parts of Lester's life. I found the early years in his life surprising and interesting. The story unfolds very nicely w/out a lot of empty speculation or the sort of tabloid Told here for the very first time! crap. A well rounded picture of Lester is presented in the book, you did the job proud! I also found the information on the birth of rock criticism, and the other writers enlightening. Now I am going to look for the Tosches book. The beginnings of Creem when they moved to Walled Lake was unbelievable! It's hard to imagine that sort of setup happening today. Living and working together in one house, which would be fun from about age twenty to twenty-two, reminds me of some the houses I lived in during college. Maybe it was the way the pay was at that time, but it seemed like the writers were paid exceedingly small sums, and practically a company town/house sort of setup were its pretty difficult for the workers to move up or out. As you said Lester freelanced more than anyone else there.
I think it shows his energy, and as pointed to in other parts, how he always got up from his low points and found ways of productivity. Lester's big heart comes through in the book, as do the clownish aspects of his personality. His drinking and outlandish stuff was rightfully covered, but without making him seem like a boorish hack. He may have had a sharp tongue at times, and all advanced drinkers can be assholes at times, but I felt from the book that Lester was a sensitive being and kind to others. He definitely didn't come off as a Jim Morrison type, who although, wrote some good songs (I like the Doors second album best of their work as an album) he always seemed to me from what I have read to be a very charismatic sociopath whom believed his own lies and enjoyed hurting people. As far as the ending I didn't think it was depressing. It was sad of course that he dies suddenly, but he lived his life and did a lot for dying so young. I disagree with some of his friends that couldn't see him doing anything different. I think just before he died he was in a sort of getting his mind ready to move. Who knows what would have happened? My feeling is he would have left NY and wrote about music but probably other topics as well.
His death reads as accidental to me. It doesn't take much when the wrong medication is taken together. A close friend of mine almost died from a similar scenario. My friend takes anti-anxiety medicine, and one night she was sick with headache and diarrhea. She took some anti-diarrhea medicine and something for her headache and the combination of the three almost killed her!
It was interesting to read the criticism of Psychotic Reactions and Carburetor Dung. When that book came out I very excitedly ran out and bought it. I thought it was good, but was also disappointed. As someone whom had read Some but by no means even half of Lester's work, I thought the selected pieces left out a lot of the joy, and some of the better pieces that I had read. Thanks for putting" How to Be a Rock Critic" in your book. Regarding the Greil Marcus choices, well I have usually found his work interesting but unconvincing. His books often have some agenda that I find as hype and slanted as anything. He definitely has been guilty of omission to strengthen his viewpoint. And he reads way too much into a pop song. Anyway when I gave that book to friends to read, who had never read Lester; they loved it, and I couldn't figure out my disappointment until now. Anyway I feel you have corrected the bad job done by Marcus, and wrote a great book that does justice to Lester and should be of interest to anyone whom reads, even if they have no interest in rock-and-roll. I could really go on and on! But will say thanks for keeping the humor in the book. In my aesthetic all work should have moments of humor, besides Lester was a pretty funny cat, and it would be horrible to have missed that. The end with the cop asking for the rare record album as Lester is laying there being dead on the sofa is incredible, pure Monty Python or pure Bangs, terrific!!!
Thanks again for a great book.
Frank Taylor
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S ubject: your excellent bookDate: Thu, 21 Sep 2000 12:52:05 -0400 From: Robert Press JIM:
I just got done reading LET IT BLURT. fantastic. you really told me a lot of what i wanted to know. i never could get enough lester, and still can't. i remember riding around in an MG one gloriously aimless new jersey afternoon in 1980, being driven around new brunswick by a hairdresser named sinful (maybe you've run into her) and finding a trashed rock magazine underfoot in which i came across one of lester's histories of punk rock. i already knew who he was and that what he wrote was worth reading. i remember cracking up as i read sinful the article out loud -- something like "and when you've been up for a week on romilar and you're staring at your best friend whose face is collapsing in slow motion and he says to you 'i think i forgot how to think,' the last thing in the world you want to hear is suite judy blue eyes."
there's no getting around the impact of those spontaneous timely discoveries -- i guess it's like listening to sergeant pepper in the summer of '67 as opposed to 30 years later -- but i had to drool over your bibliography of lester's articles. as much as i enjoyed PSYCHEDELIC REACTIONS, i agree with you that it was heavily weighted to one side of lester's writings. what i always enjoyed best were the almost throw-away reviews -- funniest things i ever read. how can i find some of those articles? any internet goldmine sources?
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Subj: I Knew Lester When We Were Kids
Hello, Jim-- I just left you a voicemail message at the Sun Times, and am writing as well to tell you that I knew Lester Bangs when he was thirteen and fourteen. I was two years and three grades ahead of him at El Cajon Valley High School, and we lost touch after I graduated. But I know when and why he changed his name to Lester, and still have a number of wonderful letters and poems that he wrote to me.
Just to entice you, these early writings include Lester's version of the song "Billy Boy," which, in part, went something like this: . . . Yes I am a witless Witness, humble, meek, and shitless. He's a young man and cannot leave his mother.
I'll be glad to share these treasures with you, for a future expanded edition of the bio or simply for your own delight and further understanding of Lester.
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Subj: Fw: overdue congrats From: "Steve Simels" Sent: Wednesday, September 13, 2000 1:56 PM Jim -- just found your homepage and e-mail (I
had tried to find you through the paper with no success). Anyway, I just wanted to tell
you that "Let It Blurt" is really great. I knew Lester professionally (I
actually auditioned for his band with Nancy) and you nailed both him and the scene
exactly. A first-rate job.....
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From: Jeffrey Morgan
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Subject: lester Date: Thu, 19 Oct 2000 09:23:17 -0700 From: Dave Perry To: jimdero@earthlink.net
Jim:
Just finished Let it Blurt. For the second time. I hope you don't mind me using this address to send the following:
What a great book. For the past 14 years, I've been the staff music writer for The Lowell Sun in Lowell, MA, the birthplace/resting place of Jack Kerouac. So in some vague way I know this game, though all the rules and most of the possibilities have changed since Lester wrote. Yeah, I get my 20 minutes on the phone with some band when they blow through town, and I write my advance, and I cover the show. And then, unless it's that singular, extraordinary event, it's gone. For years, I've heard the resounding chorus of Kerouac in Lester Bangs' writing. I wrote the liners for Rhino's Kerouac box set a few years back, and one of my jobs was to connect Jack, as an influence, to the a long line of pop musicians. So why didn't I mention Lester? I'm still kicking myself. I am 43. Like you, I suppose, but a few years older, I was one of those kids who sopped up Lester's writing in my room, surrounded by records. Back when I was writing about music for free while I got paid to cover, well, everything, for a weekly paper in Connecticut (early 80s) I used to write for this freebie rag called Vox Pop. I heard at one point that Lester was accessible in New York, but never planned the trip that you did, never caught those keys. Reading Let It Blurt made me wish I had. Your job of reporting was extraordinary, and what I loved best was the way you set Lester apart from those he often worked with. He was indeed worlds apart, and it had nothing to do with drugs or filth or body odor.
The "Dean" and his ilk always forgot how to draw me in, or never cared to. The scene of Christgau and his wife over dinner at Lester's broke my heart. And having seen Almost Famous, with its conscience wandering around an apartment crammed with records (yeah, I noticed which ones were visible, too--Crowe got it right) in a "Detroit Sucks" t-shirt, made me re-read Let It Blurt. It's funny the way Lester Bangs has come back not to haunt us but to remind us of some things that are all but forgotten. Kerouac, I can tell you, came back similarly. Oddly, I didn't call the publisher for a review copy when your book was published. I wanted to spend my own cash on this one. And I can't tell you how glad I am that I did. So, I guess, thanks. I always knew there was indeed a man in there. You finally introduced me to him. Thanks for the keys.
Dave Perry The Lowell Sun 15 Keaqrney Square Lowell, MA 01853
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Subject: Lester Bangs Date: Fri, 13 Oct 2000 18:22:18 -0500 From: LDC To: jimdero@earthlink.net
On my drive back to work after lunch I was listening to "Fresh Air" on the radio.. Usually, I find it delightful but not on this afternoon.. I am sure you are familiar with the show since you were the featured guest. The topic was your book " Let it Blurt - The Life & Times of Lester Bangs, America's Greatest Rock Critic.
I always find it hard to believe that someone with second hand knowledge is always able to form such a concrete opinion about Jehovah Witnesses. I can tell you have never talked with a JW. Mr. Bangs opinions, even though he was raised as a JW, were highly distorted. JW's enjoy music just as much as the next person. My uncle is a JW, and he owns a oldies vinyl record store on the strip in Hollywood.
To be one of Jehovah's Witnesses he would have had to give up the destructive life style that killed him. When someone becomes so self invented, emotionally and physically in what they are doing, little else matters to them. That person, especially if gifted with words and pen can be ruinous to someone else's reality.
I did not know him personally, the way you did, but I do have friends that are heavy drug users and I can tell you this, the only opinions they trust about life are their own. I just hope that next time you decide to describe a group of people to the world, the least you can do is interview someone from that group. By the way Coltrane's " My Favorite Things" is a classic.
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Good Book. Date: Tue, 10 Oct 2000 10:40:42 -0400 From: "Joe Bronowich" To: jimdero@earthlink.net
Mr. DeRogatis:
As a fellow Hudson County native (West New York) I wanted to tell you how much I enjoyed "Let It Blurt". Your compassionate, well researched study was informative and entertaining. As insightful as the book was, Mr. Bangs still remains an enigma - a classic case of "Trust the art, not the artist". I wonder along with you what might have come had he been able to get at that novel. Despite what others may say, your subtitle is correct: he clearly was Americas Greatest Rock Critic.
Do you think he'd still be writing about music today?
I could bore you with may more paragraphs about how "Creem" was my bible, yada yada yada, but I'm sure your have better things to do with your time. Thanks for the book, I look forward to the next one.
Regards,
Joe Bronowich
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Subj: <B Hullo</B Date: 10/11/00 12:57:47 AM Central Daylight Time From: dmahoney To: JimDero@aol.com ('JimDero@aol.com')
Jim,
I just spent the past few hours devouring every word of yours that I could find on Ironminds.com. I was particularly impressed with how lucid, yet sharp, accurate and entirely alternative the pieces are, even as I wondered: If all of the mainstream megahits are polluted by predictable appeals to the least-common-denominator, most-numerous-buck, is there anything in music today that you like? Wanting more, I also checked out some of your equivalent Sun-Times pieces, on Pearl Jam and the Pumpkins, and was surprised--though I shouldn't have been--at how you lined your gloves with velvet, softening the edge of some of the punches for the wider audience.
My interest is more than casual--I just finished a 2.5 year run writing a 700-word music column in our local alt Boise Weekly, sharpening my prose as I honed my views, but ultimately feeling myself begin to burn down under the inevitable cynicism that arises from writing of dull, bloated national acts and nascent, sometimes very derivative or simply bad local acts. Boise is still best known for Doug Martsch, Curtis Stigers and maybe Caustic Resin, with little else national-caliber of any genre on the horizon. Usually, the too-kind non-confrontation geek in me would pull back the hardest blows on the local bands--not wanting to judge them at a ridiculously high national standard, and disdaining the cliched rock critic hack attacks--but I always felt weak and emasculated in doing so. I don't particularly regret that stance, since I believe that natural selection should weed out these bands unaided by some snot-nosed critic, but incriminating bands with faint praise at the margins grew tiresome. The world of good, honest, accurate but fair rock criticism, written in a voice of one's own, still has great appeal to me, though.
BTW, I picked up a copy of your Bangs book and breezed through it easily and enjoyably, which is a high compliment in this too-hectic day of constant distraction. It was nice to know of Bangs as an erratic, unpredictable Meathead, not merely part of an alliterative toss-off line in a rem song. Your account of your interview with Lester was particularly riveting. Do you agree with Greil that the best writer of his generation wrote record reviews? I'm decidedly undecided (and skeptical) on that one.
Best regards,
--Dale Mahoney
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Subj: Hello from J Church.. Date: 10/6/00 12:59:51 PM Central Daylight Time To: jimdero@aol.com
Hello,
I'm not really sure if this is still your e-mail address, so I'll keep this short.
My name is Lance Hahn and I'm in a band called J Church. We're sort of an indie-emo(blech)-type-punk-pop-band thing. It's no big deal, but I wanted to send you a couple of our CDs to check out. I really liked "Let It Blurt" a lot. It's funny, because when you get right down to it, it's the same old story. There's always the originator of any art form and a million copy cats all missing the point.
Anyway, I've also been a writer for Maximum Rock-N-Roll since 1983. I still write for them, but am attempting to get printed elsewhere. I'd love to send you a copy of my newsletter to see what you think. A lot of it is just ranting and raving. It's only half about music. The most popular thing I've written so far is a comparison of Star Wars to Game 5 of the '75 World Series.
So send me your mailing address if you could and I'll send you a bunch of stuff.
Thanx, Lance J Church
"Artists care about aesthetics as much as birds care about ornithology" - Barnett Newman
"One Mississippi" - J Church Brand new double LP on Honest Don's Strictly Analog Recordings...
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Subj: Thank You Date: 10/3/00 5:31:14 PM Central Daylight Time From: nhlcritic To: JimDero@aol.com
Mr. DeRogatis:
I just returned from Stockholm, Sweden where I devoured your book, LET IT BLURT. I want to thank you for writing such a thoughtful, comprehensive book on the life of Lester Bangs.
I grew up in Brooklyn listening to classic rock, punk and new wave. I remember my friends checking out copies of Creem and talking about Bangs but I was painfully unaware of his work in the world of Rock criticism. But I loved- and hated- the music of that time.
I felt as though I was living through that period observing Bangs as he moved through the years searching for something new to say or just commenting on the state of music at the time. Equal parts sad and comedic, LET IT BLURT made sense of the often dense movement dominated, in my opinion, by unreadable critics whose prose was often more confusing than enlightening.
As a writer I found your book a wonderful guide in the art of writing a biography. I shall certainly read it again. So thank you for the inspiration.
I also caught the fact that you write about wrestling which is something that I am also very interested. Geez my pay-per-view bill reflects that near fanaticism every month!
A funny aside: I grew up in Brooklyn at the same time as Peter Senercha, a.k.a Tazz. He was friends with a few of my buddies who went to Franklin K. Lane High School.
I look forward to reading more from you in the future.
With best wishes,
John Sanful
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To: <jimdero@earthlink.net Sent: Tuesday, September 26, 2000 6:21 PM Subject: Bangs book
As a former NYC freelancer/lightweight rock critic of that glorious era, I'd like to say how much I totally appreciated the book - but I can't. The nostalgic phlegm conjured up in your tome was completely thwarted by learning that poor Lester died whilst listening to that wretched Brit synth-pop-pablum, DARE by The Human League. Not that it surprised me mind you, it just reminds me of how cruel God is. Lester clearly heard that and realized there was no place left for a true r&r fan. Sadly, he was right, although a part of me likes to think that he might've embraced, even cheered, for say, Eminem, who for some reason feels more like someone who today comes closest to exuding true punk spirit than nearly all of his rap/psuedo-punk counterparts combined.
By the way, I passed the book along to my friend Matt, who roadied for The Ramones during their 10 headiest years and he returned it last week offering me no review other than a head-shake, which I think kind of sums it all up.
It was a good summer read. Now I can stash it in the closet with my other memories of the time: dusty vinyl that I occasionally pull out and crusted-over, half-used bottles of Crazy Color. That shit doesn't even cover gray.
Best Regards,
Jacquie Tellalian/nyc
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To: <jimdero@earthlink.net Sent: Tuesday, September 26, 2000 5:43 PM Subject: Let It Blurt
Dear Jim,
I really enjoyed Let It Blurt, which I just read on holiday in southern Italy -- a very incongruous setting! I'm very interested in tracking down a copy of the novel "Harry Vernon At Prep". I've tried all the usual place -- Amazon, the Strand in New York etc. I don't think it was ever in print here in the UK, let alone out of print. Any ideas as to where I could get hold of a copy would be welcome.
Well done on the book.
Best wishes, Andrew Bendel
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